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Father’s Day and 2 Years at The Velvet Note

Wednesday, June 11th, 2014

By TK

I realize that I am a card-carrying member of the lucky DNA club.

As we all know, we don’t get to choose our parents.  When the parenting cards were dealt, I was definitely dealt two aces.  Both of my parents are alive and well, and extraordinary humans by any standard.  My father was the first in his family to go to college, where he earned his degree in physics.  He is also one of the organizers of the historical Greensboro, North Carolina lunch counter sit-in.  However, you’ve probably never heard of him and he doesn’t appear in our history books.  On the morning of the sit in, after staying up late the night before, planning with his courageous friends, my father headed out to report for the first day of his commission as a new Air Force aviator.  I don’t know how different my life would have been if he had made the choice to turn his back on his job assignment to sit at the counter, but frankly, I am glad he had the courage to both make change while still following-through on his commitment.  A few years ago, a memorial was constructed in honor of those four men and I am proud that my father was finally acknowledged for his little-known role in making US Civil Rights history.  He asked, “Why can’t we….?”  And even better, he took the heroic actions necessary to answer his own question.

My first memories of my father were as I waited for him to disembark from his jet each week after his flight assignment.  He was so slender and tall, and he wore this really cool one-piece flight suit and he walked with just a hint of a swagger.  I would stand with my mother at the end of the tarmac strip and when he finally made it over to us, he would flash his humble smile, and I would rise up and fly into my father’s arms.  On each flight, the government always gave their crews cracker and cheese packet snacks.  The cheese was smooth and orange and processed and came with a little paddle that you used to scoop it out onto the stack of crackers in the adjacent compartment.  My dad would save a packet for me, pulling it out of one of the many zip pockets of his flight suit.  It was the best cheese tasting in the world because it meant that my dad was finally home.

Throughout my childhood, my parents gave us the best life experiences that they could imagine and afford.  Today, I realize how rare and precious that was in a household of six, financed on the modest salaries of a military officer and an elementary school teacher.  Every time we moved to a new assignment, they sought out a house in the best neighborhood with the best public schools they could afford.  They drove us across the country every summer–like sweaty little band of explorers–so that by the time I was sixteen, I had visited 48 out the 50 states.  They paid for the best music instructors, the best teachers and athletic coaches, we had full volume libraries and encyclopedias in our home so that we could read as much as we wanted and answer our queries.  They instilled in me a love for reading and learning and exploration that opened any door I could imagine.  We went to choral performances and ballets and recitals.  We had high quality meals (whole wheat bread, honey, fresh vegetables and fruits, low fat proteins) that were home cooked, supplemented by a morning regimen of organic vitamin and mineral supplements.  At a relatively young age, they had four children, and honestly, I don’t know how they did it–I can barely keep a house plant alive!  As kids, we were alert, and smart and healthy and active.  After church on Sundays, we went to dinner at the best restaurants, and we practiced impeccable manners, such that people would always come over and remark about how well-behaved we were.  Mom and Dad taught us how to be hospitable to others, and to be gracious guests when we were visiting others.  Our parents were living, non-preachy examples of strong, time-tested, success-sustaining values.  Of course, there were the usual battles of will and the normal bumps of teen angst, but by the time I graduated and left for college, I felt that the whole world was open to me, without limits.  As I entered through the front door of adulthood asking the question, “Why cant we….?”  I was just cocky and confident enough to try to answer my own question.

Today, The Velvet Note is two years old.  It’s not just a jazz club—it’s a solution to a creeping cultural dilemma, the result of our asking, “Why does it have to be this way?  Why cant we….put authentic jazz in the suburbs?”  After two years, people seem to have taken to the idea, and we are grateful that each of you have continued with your patronage, support and accolades.  As we speak, we are rated as the top tourist attraction in Alpharetta and the #1 jazz club in the Atlanta-metro area.

Some folks still sneer at the oxymoronic idea of “suburban jazz”.  Look, I lived in Manhattan for many years, and I realize that when you leave the city, you leave some of the gritty, steamy, desperate, real feeling of our culture behind.  I both understand that city element and I appreciate it.  I have no delusions of grandiosity that our safe, sanitized, comfortable, air conditioned, suburban club will ever measure up exactly to the funky authenticity of the hole-in-the-wall urban speakeasy with the rogue sax player out front.  Nevertheless, it doesn’t mean we have to settle for a watered-down version of “jazzertainment”, shoved in the corner of a big box restaurant, ignored by patrons as we make our third trip down the Sunday buffet.   It doesn’t have to be that way.  Suburbanites need (and deserve) real culture too.

I believe that each one of us has a special gift.  Perhaps my gift is designing the kinds of solutions that bring together ideas that would appear to be contrary or even mutually exclusive, and have them work in harmony in order to make things better.  I’m not sure—I’m still a work in progress, but whatever courage I might have that prompts me to ask and answer that question, I owe a huge heap of gratitude to my dad.

Let’s be honest—most of us aren’t cruising around the downtown streets at midnight, quenching our thirst for culture amongst the urban speakeasies.  After all, we have a baby sitter at $20/hr who is still on the clock and clacking down six blocks in high heels to get to a parking garage is not cute.  So, we need an answer to the question, “Why can’t we….get real, live music close to home?”  Why can’t safe, comfortable, and convenient coexist with authentic, excellent and exciting?  The Velvet Note is the answer to that question.

Monroe FullerAlmost every morning for the past two years, I’ve had the privilege of getting out of bed  to go to the best job in the world.  I rise, I pull back the curtains, look up at the sky and stretch my arms and ask some variation on the question: “Why can’t we……”  And in my head…in my dreams…in my internal dialogue, my dad always flashes his signature humble smile, and answers, “You can.”

To my dad and yours, and to all of the dads in our lives,

Happy Father’s Day!

The Jazzitude of Marshall Isseks

Tuesday, January 28th, 2014

Marshall IsseksMarshall Isseks represents a new generation of jazz musicians:  young, bold, well-educated, unapologetic artists who firmly believe that the tradition of jazz has a rightful place at the modern-day music table.  “As jazz musicians, we are in the moment, a moment that will soon be lost.  I feel no compulsion to waste the moment by placating the masses.    This kind of music takes time and consideration to learn, but those are the things in life that have the best rewards.  Jazz is sexy.  It connects directly with people at the most human level, engaging their intellect and senses at once.  There’s nothing stale or stagnant about it.  At its best, it’s an honest, musical conversation between artists on stage that is always unique and never able to be fully replicated.  And yes, I believe that listening to jazz can change the world.”

Changing the world is something Marshall Isseks has thoughtfully considered.  Isseks grew up in the small town of Liberty, NY, five miles away from the site of the original Woodstock farm.  Liberty is known as hippie town, where a lot of the attendees of the epic Woodstock music event just stuck around and settled down.  The second son born to a college professor and an ophthalmologist, Isseks had an idyllic childhood full of support for both music and other pursuits.  “My grandmother was a piano teacher, and got me started,” he says.  “From there, I had the opportunity to study saxophone, and eventually travel into New York City and catch the vibe in venues such as Village Vanguard and The Iridium.  The New York jazz scene was intimidating, and at that age, I wasn’t mature enough to understand what jazz was about, but I knew I loved the energy of it, the fierceness, the honesty.  I think that’s a major role of musicians in society, to be very honest with ourselves and everyone else in every day conversation.  It makes a difference on the stage.”

Being honest with himself, Isseks decided that he didn’t yet have the chops to make it as a professional musician, so after graduating at the top of his high school class, he headed off to Atlanta’s Emory University to study….philosophy.  It was as a philosophy major that he encountered Gary Motley, head of jazz studies for Emory, who reignited his love for music as a career path.  Upon graduation and after a brief stint in the entertainment group of Carnival Cruise Lines, Marshall returned to Atlanta to make it in earnest as a jazz musician.  Today he divides his schedule between teaching music at Randolph Elementary School and private lessons, as well as pursuing a graduate degree in music at Georgia State University and performing for public and private events throughout the city.

Where does Marshall Isseks the philosopher intersect with Marshall Isseks the musician?  “One of the things we inquire about in philosophy is where ideas come from and when we, as a culture, start thinking one way versus another.  I think the artist often gets to the truth of that before the philosopher does.  I think the best ideas come from a few people getting together to speak their minds.  And that’s what jazz is too.  You have five different personalities on stage, conversing musically with each other.  For me, it is undeniable that the world be a better place if we listened to more jazz.”

Isseks will perform on February 9th at The Velvet Note in Alpharetta.  Heading into the Valentine’s Day season, his show will be loosely centered around the question of “What is this thing called Love?”  When asked about his own love life, he responds with a shy laugh.  “I am still a little shy, although I really do work hard not to be.  I live in Grant Park, Atlanta and I keep a busy schedule and I have a lot of friends.  I’m not seeing anyone at this moment, but I try to get out every night and find live music in places like Twains on Tuesdays, Elliott Street and Churchill Grounds.”  And what kind of woman would capture his attention?  “First and foremost, I look for her smile and her ability to carry on a conversation.  Beyond that, of course, I am attracted to a woman’s ambition, how she views the human ability to change the world.”

Showtimes are at 7:00pm and 9:00pm on Sunday, February 9th.  Tickets are available at http://thevelvetnote.com/marshall-isseks or by calling 855.5.VELVET.

 

Announcing the Worldwide Video Debut of “Stand Back” by Karla Harris

Thursday, January 9th, 2014

Karla Harris performs her arrangement of Stevie Nicks’ “Stand Back”, LIVE at The Velvet Note (http://thevelvetnote.com) . Says Karla, “There are so few times in life when you’re completely in the moment. But when you are, it’s absolute bliss!”

Karla Harris brings a stripped-down arrangement of the Stevie Nicks tune “Stand Back” to the audience, LIVE at The Velvet Note during her jazz show in September, 2013.

Karla Harris, vocals
Tyrone Jackson, piano
Craig Shaw, bass
Trey Wright, guitar
Chris Burroughs, drums

For booking, or tickets to Karla’s upcoming show on Feb 1st, call 855.5.VELVET

New Year’s Eve at The Velvet Note

Thursday, January 2nd, 2014

Saxophonist Dwan BosmanOh, what a night it was! Thank you to all of the wonderful guests who joined is in the living room for our sold out New Year’s Eve Gala last night. Saxophonist Dwan Bosman killed it with guest vocalist Karen Bryant. Great food, music, dancing, spirits, connections…a good time was had by all. Many thanks to the first-rate Velvet Note Team–a great way to end a great end. Happy New Year!IMG_2242

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Jacques Lesure Returns to Atlanta!

Thursday, December 26th, 2013

JacquesLesure (2)Currently a resident of Los Angeles, California, throughout his travels Mr. Lesure has performed with many great musical luminaries such as Kenny Burrell, Oscar Brown Jr., Jimmy Smith, Stanley Turrentine, Freddy Cole, Wynton Marsalis, George Benson, Jack McDuff, Les McCann, Carmen Lundy, Oliver Lake, and many others, rounding off an almost endless roll-call of artists that he has shared the stage with.  This is Jacques’ exclusive Atlanta appearance and he looks forward to bringing friends and fans the music of his new release:  When She Smiles.  Showtimes:  7:30pm and 9:30pm.  Purchase tickets at 855.5.VELVET or go to http://thevelvetnote.com/jacques-lesure.

 

Saturday, December 14th, 2013

YonricoposterGrammy-award-winner Yonrico Scott is one of Atlanta’s most sought-after drummers. Tonight, he makes his debut as a headline artist at The Velvet Note with the official release of his new CD, “Quest of The Big Drum”. 

Throughout his musical career, Yonrico has recorded and/or performed with a Who’s Who list of well-known artists. He’s opened for and performed with artists such as: BB King, Eric Clapton, Santana, Buddy Guy, Joe Satriani, John Popper, Clarence Gatemouth Brown, Gregg Allman and Friends, Gov’t Mule, Leftover Salmon, Taj Mahal, Little Milton, Mavis Staples, and Otis Rush. Yonrico also collaborates & tours internationally with Grammy Award Winner, Earl Klugh, and his own band, the Yonrico Scott Band (YSB), which includes Kofi Burbridge, Keys/Flute, and Todd Smallie, Bass.

This show celebrates the release of Yonrico’s new Jazz CD, “Quest of the Drum” and features Nic Rosen on piano and Joseph Patrick Moore on Bass. Personally signed by Mr. Scott himself, this CD makes an extraordinary holiday gift! Tickets on sale athttp://thevelvetnote.com/yonrico-scott or by calling 855.5.VELVET.

Will you be the one to win The Velvet Note’s $15,000 Prize??

Thursday, December 12th, 2013

Will you be the talented, sensational artist to win The Velvet Note’s $15,000 prize? Early sign-ups are TONIGHT, in-person, at Open Mic Jam.  Official Signups begin on Monday, December 16th. 

VIRGINIA SCHENCK IS CRAZY!

Wednesday, December 11th, 2013

VirginaSchenke1VIRGINIA SCHENCK IS CRAZY! (in the best possible way). Saturday, January 11, 2014: Blending straight ahead jazz with world music influences and free improvisation, Virginia Schenck will stretch the boundaries of where we can go. Running the gamut of rhythmic profundity to the most sensitive ballad, she kicks her shoes off and just might howl under the Velvet Note stars! Click here to download our conversation about craziness and talent and music and making big mistakes and her upcoming show here: http://rs1614.freeconferencecall.com/fcc/cgi-bin/play.mp3/5133860000-844138-13.mp3VirginiaSchenke2
Virginia’s talent lineup is truly insanely wonderful, with Rodney Jordan on bass,Marlon Patton on drums, Kevin Bales on piano and Kevin Spears on kalimba/percussion–all on one stage, all on one night! Tickets available athttp://thevelvetnote.com/virginia-schenck or by calling 855.5.VELVET.

The Velvet Note Goes COUNTRY….

Wednesday, December 11th, 2013

…..and the crowd goes WILD!  Take a look at how Across The Wide gets ’em up on their feet for a night of boot-stompin’ at The Velvet Note.

 

 

Hassle-Free Holiday Shopping

Tuesday, December 3rd, 2013

AmazonHassle-Free Holiday Shopping: Now give the gift of a LIVE MUSIC EXPERIENCE at the prestigious, intimate Velvet Note! Gift cards can now be purchased directly through Amazon.com. Just click here:
http://www.amazon.com/The-Velvet-Note-Gift
Certificate/dp/B00GZAGIMI/


Call Now To Reserve Your Tickets!

(855) 583-5838

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